BET’s ’106 & Park’ To End An Era As A Live Television Program & Transition To A Digital Platform

Image Credit: BET Networks

Its seems as though the era of music countdowns on television is slowly coming to an end as BET's 106 & Park Live announced that the program would be turning its lights out on December 19. After an impressive 14 year run, the countdown has undergo changes in everything from hosts to studios, but continued to win over the hearts of its viewers all over. In a statement released on November 14, BET's President of Music Programming and Specials, Stephen Hill, recapped on some of the countdown's most memorable moments since it's air date in September 2000 with it's original host AJ Calloway and Marie Antoinette Wright (Free) to date with Bow Wow and Keshia Chanté.

"AJ accepting Janet Jackson’s challenge to…dance. Bow Wow laying that kiss on Tyra Banks(or was it the other way around?). Free crawling around the set LIKE Catwoman WITH Catwoman Halle Berry. Julissa’s taking over Halloween as “Wonder Woman.” Keshia brilliantly bonding with First Lady Michelle Obama. Paigion flying around the world with Rihanna on a 777. Rocsi salsa dancing with Victor Cruz and putting him to shame. Shorty and Ms. Mykie’s killer rap, “The History of Justin Timberlake,” visably thrilling JT himself.Terrence beatboxing while Jamie Foxx rhymed. Tigger making Tom Cruise do the of-the-moment “motorcycle dance.'"

 

"We all have our favorite moments from the show that has put youth culture on television daily since the first year of this century. We have pride in being involved with the show that has welcomed almost every movie star, music superstar and fresh-faced talent you can name (you can even throw in a first lady). We’ve all laughed with and been entertained by the young men and women hosts that have charmed us at 6 p.m. (and more recently 5 p.m.) each weekday."

Shortly after serenading viewers with the sweet memories of 106 & Park Live , he soon shed light on how the show will transition to a digital platform - since that's were a majority of the show's audience lives when interacting with musical content now in days.

"It’s been a great 14-year run as America’s top music/variety show on cable. And now that very valuable brand is going to take its talents to the digital realm. The interactive brand you helped build, 106 & Park, is alive and well…and it’s moving to the space in which our audience NOW interacts with music the most: online. It’ll be very exciting to connect with the millions of people that are already engaged with 106 & Park and other BET digital and social media entities and bring content that will further evolve the 106 & Park brand — and enhance the overall BET Networks brand. As we transition to the digital space, we look to continue 106 & Park’s role as both a leader of and a mirror to youth culture. We’ll have more information to share about how that is to roll out very soon."

According to the statement, December 19 won't necessarily be the last time you can check 106 & Park out on the air. In addition to the digital show, the countdown will still air for it's legendary specials like the New Year's Eve show 106 & Party and the BET Awards' red carpet show Live, Red and Ready. But going forward, the livest audience will just have to turn up for the show on the weekdays from their computer/smartphone screens.

Check out the full statement released by BET here.

— Brittany C. Jackson

@_exclusivelyB

The Social Commentary of Battle Rap

Image Credit: zimbio.com

by: Ashe Samuels

Dearly Beloved,

Welcome again to my column now to be titled, "Seasoning for the Unseasoned." Today we are gathered to speak about the social commentary that is a foundation of hip hop and also becoming one in battle rap, as well.

Hip hop has been speaking on class warfare for decades, the haves vs the have not so to speak. Battling is no different. A few weeks ago, URL released two major battles; Tsu Surf vs. Hitman Hollow, and the young Canadian Charron vs. Shotgun Suge. In Hitman vs. Surf, Surf began to go in about Hitmans upbringing. Surf, from Newark, used his third round to talk about how Hitman, though he comes with Blood affiliation, is from a two parent household and is a college athlete. He used wordplay to illustrate that he was more street due to not having parents and having to fend for himself. It was arguably the best round from Surf in quite some time. Dizaster, who is one of the most highly regarded in the world, has been dissed many times for not only having rich parents but also living with him till his late twenties. Pat Stay even claimed that anyone could be Diz due to him not needing to have a job, therefore being able to dedicate himself to battling while everyone else had to balance work and battling. Canada's Kaliente was often dissed due to being homeless, but used that struggle to hit hard against Tycoon Tax. While you wont hear all the so rich and I have nicer shit bars you do from modern hip hop, there will always be the "I'm harder because i came up harder" aspect to battling. Those are just some recent examples.

Race relations have always been a hot topic in hip hop, and battling is no exception. Murda Mook ended his battle against Iron Solomon with a Trayvon Martin angle complete with a hoodie. Shotgun Suge began his battle against Charron by saying "this ain't a battle this is justice for Mike Brown." Charron, a white Canadian MC who won 106 and Parks Freestyle Friday but was excluded  from the 2013 Cyphers for being too white and Canadian, used his whiteness to his advantage to win over an oftentimes hostile NYC crowd. From a fantastic Columbine name flip (this is Columbine a white kid taking a shotgun to school), to his final round rebuttal about being a skinny white kid in hip hop and the problems it caused (what you know about shaking Norbes hand and he mistakes you for the camera man). Oftentimes the "you lost to a white boy" card gets played, such as the first time Diz battled Arsonal and the reverse happens at times, such as when Aye Verb confusingly called King of the Dot fans racist. I say confusing in that particular case as the battle took place in LA, in front of a mostly black and Latino crowd. Dizaster, of Lebenese decent, used 90% Asian bars, though hilarious ones against veteran A-Class. Cadalack Ron gets uncomfortably racist at times, though what does one expect from a guy who may or may not have shot dope, mid battle, on camera? If you are white and battle in URL, you being white will probably be half your opponents material, and you being white will be half of yours. That is where some of the beauty lies, almost a racial dialogue through dissing.

Image Credit: goodfellamedia.com

With the rise of Young Thug and the Wayne kissin Baby fiasco, homosexual culture has been on the rise in hip hop. Battle rap is the same, but different. Pat Stay battled Rone in a compliment battle, where two battlers literally compliment each other instead of saying awful shit to each other. The lead up was quite, well, gay. They acted really gay towards each other. The battle had many twings of that as well. No Shame is a transgender battler who has had great showings in AHAT and BOTZ, and has shown herself to be far more than a gimmick earning the respect of her peers. Then, there is Daylyt, battle raps Andy Kaufman. In the leadup to his battle with Pat Stay, they have begun to basically send weird prison love blogs to each other. Its basically battle raps version of gay chicken at this point. Day has also said things like he'd fuck Diddy, possibly to get put on, possibly just because. He warned Aye Verb before their battle that he would try to make out with him onstage. He battled fellow Krack City member Cali Smoov at a non battle event with over a million streaming viewers. He also put out a Young Thug diss called "Choppers" and "Pink Skirts," in which he rapped in a short pink dress and twerked with an AK-47. The weird part is that Day is a heterosexual man with a kid, who is doing this to troll battle raps homophobia and the outlandishly gay movement in hip hop at the same damn time.

Though many claim it to be overly mysoginistic, battle rapvis far from pro domestic violence. Bonnie Godiva brought out Uno Lavoz ex girlfriend on stage in her third round to basically put him on trial for rape. Sketch Menace also called out Uno on the allegations. Hollow the Don flipped out on Joe Budden for supposedly hitting women, stopping in the middle of his round. Hollohan has been called out for his alleged mistreatment of women in many battles. A lot of battlers get away with a lot of things, but no one gets daps for actually hitting a chick.

As I said before, battling has something for everyone. Super lyrical aggressive rhymes? Turn to battle rap. You want thought provoking bars with incredible replay value? Battle rap. You want some social commentary on the side? Yup. Battle rap has that too.