Showing posts with label real hip hop. Show all posts
Showing posts with label real hip hop. Show all posts

Tuesday, May 12, 2015

Pusha T Reveals Release Date For Album!

Virginia artist Pusha T is officially working towards releasing his Sophmore album! 


PHOTO CREDIT: http://www.bet.com

According to Pusha, with all of these thrill-filled punchlines and his feverish rhymes, we can only expect great things from the King Push.

We've already had a taste of his flows with his latest music, but with songs like Lunch Money (produced by Kanye West), our expectations will easily be limitless. 

His solo album My Name Is My Name is expected to be quite different than the new found project, but nevertheless indulging. 

From underground hits like Trust You to hits he features on like Mercyyou'll never know what to expect from this kid. 

Pusha feels like this coming sound will be second to none according to hiphopdx.com, and with this statement it really puts you on edge. 

As he's constantly worked on this project the only outcome is success, but for now we will let the lyrics and the vibes from this record be the judge. 

Pusha T's King Push is now slated for a June 30 release, according to Hits Daily Double.
 
-Alexis J. Robinson
@alexisjanaiformayor

Edited by: Dana P. (E.I.C.)

Wednesday, December 17, 2014

A Look Back at the Good, Bad and Ugly Lessons Learned at Filmons Fresh Coast Ether Event aka Cassidy vs Dizaster

Image Credit: BattleRap.com

I waited till Wednesday to write about the Fresh Coast Ether event for personal reasons. This turned out to be a great thing. Due to the untimely passing of Young B the Future who was the top tier prospect of 2014, the news cycle on Ether has been rather slow. It was the biggest battle event ever thrown. A billionaire by the name of Alki David, the owner of Filmon, a streaming television company who specialize in live streaming events, joined forces with Lush One and the Fresh Coast Music Group to present Ether, this past Saturday live on IPPV. The other name of this event was merely the main event, Cassidy vs Dizaster. I watched, as did many, the first and unplanned second night. For the most part battle fans were expecting Dizaster to kill Cass. This is his forum. No one expected the most debatable battle of the year or the biggest upset of all time. Its a matter of opinion and you will know mine. Lets take a look at all the lessons we learned from Ether, the event as a whole. Please keep in mind these are my opinions. If they are yours, great. If not, fuck yourselves.

Lets first talk about the battles themselves. Watching from home was, kind words would be "challenging," frustrating, and depressing at times. In fact there were so many issues with the stream, it was in the end, freeview content. More on that later as that was a win in the end, the free part that is. The stream and the event started late and there were technical issues abound, in house and digitally. The mics didnt work half the time. One of, well seemingly two, lavaleer mics broke which led to Daylyt and Serious Jones trading equipment mid battle...yup. Second to last battle of the night, second biggest battle of the night. This was Total Slaughter, except the battle guys were supposed to get it right, do it better. However blame cant really be placed on Lush. FilmOn produced the event and handled the video and audio, not Lush. Battle Rap and Pro Wrestling are very much alike in the sense of you kinda need the people from within to handle the decision making, not the exec who thinks they know better. Just because you pay for it doesn't mean you know more than the professionals. I have watched talented filmographers ruin great wrestling due to no idea how to shoot it. Ether was watching the same treatment for battle rap. Fact of the matter is there were issues with mics, with the stream, sound cuttin out both live and on stream. This was incredibly depressing as was missing basically a whole Bigg K round and all sorts of Big T goodness and like half of Real Deal vs Illmac, and part of Ars vs Saurus. What makes it even more bittersweet is that when you see the official release, what its supposed to look like, and what the live experience of the stream was. Also pro wrestling has proven many times, live IPPV are the motherfucker of clean streaming.

Each battle had a pro wrestling MMA style entrance. Battlers, please step your entrance game up. Why not hype shit, barely playing to the crowd at all? Use it to your advantage, to display your identity. Make yourself stand out, its a show. Part of the issue was a la TS, this wasn't really a battle crowd. That is a true sign of a movement becoming an industry, giant events full of people who are there to claim they were there. Therefore, crowd reaction most of the time, on cam at least, not what a crowd for an event like this would be expected to sound like. But please...dont just walk down steps swiftly, have some fun.


Cali Smoov is an up and coming battler from LA. He is a member of Krack City alongside Dizaster, Daylyt and Aktive. Smoov also is apparently reponsible for bringing Lush and David together, therefore may have been the spark to all this. He was given the gift of Death By Caustic. I would never, ever want to battle Daniel Stefani. I have never met him in real life, I am a fan of his as a battler and as a member of the Dirtbag Dan Show podcast and believe he may have the most evil intentions any battler alive. He has ruined careers, marriages, minds (see Daley battle) and laughs. Cali brought bars, some very good. Caustic decided to make him pay for his ego with hateful personals about his reputation and sexuality. Remeber a rap battle isnt just a competition to see who raps better or has better indirect wordplay, its about making someone look bad, a verbal altercation, a fight with words. Caustic beat 11 fancy yet light spin kicks with a haymaker to the jaw. That simple.  Danny Meyers, fresh off an amazing battle with Aye Verb battled Heartless, fresh off a huge upset over Charlie Clips. Didnt see this, however I'm hearing 2-1 Meyers in what i'm sure was a battle full of wit, wordplay, and Meyers running round screaming like a white woman in a slasher movie after big punches. Two battle vets coming off monsterous 2014 preformances, Real Deal and Illmaculate duked it out in a fantastic back and forth. This was a rare close 3-0 in Illmaculates favor. Real Deal was nearly over agressive while Illmaculate is becoming better nearly each time he hits a Cali stage. Two examples of why tiers exist occurred as well. Billy Boondocks won a freestyle tournament at the previous FC event in early November. However this is the equivalent of a guy winning a touch football tournament and then getting put in the All Pro game. He had the unfortunate task of facing a very on Rum Nitty. Nitty was a breakout star of the new Fresh Coast after an epic battle with Danny Meyers a year ago. Since then, he has had some huge battles, including Arsonal in Nittys home town of Phoenix and B Magic for FC. Nitty is one of the hardest hitters in battle rap, and has shutdown bars every battle, showstoppers. This was watching a tee ball player face Randy Johnson. This was the guy you went to high school with who did karate vs Anderson Silva. It was a bloodbath, plain and simple. The other example of this is Aktive vs Big T. Aktive is also Krack City. He is one of the most legit gangsters in battling and is also very very green. He faced the 600 lb. man with the 600 lb. bars, Big Motherfuckin T. T is a monster who had a classic with Diz the prior month. At Ether, he was razor sharp, with gun sound effects firing everywhere. Aktive got taken to school in a wash. These are top tier battlers for a reason. Dont punish your newcomers that way FC. 

Up next we had an intermission which included a beautiful young lady fuckin up her own songs and inspiring a movement. After Ether, #Yaki and the decently hot chick rapping it will forever be ingrained in our memory banks. Arsonal battled The Saurus after the whole Yaki thing. This was a great battle from what the feed didnt fuck up, Ars is the most viewed battler alive, Saurus is the most decorated with possibly the most battles. This was street vs backpack between legends on their A games. Though some may say the whole race card 2nd round by Ars was played, the way in which he did it was not. I gave it 2-1 Ars for more quotables, better presence and the fact that Saurus may or may not have left the er at the end of the word.  The next was the battle of the puchline kings, Bigg K vs Concieted. Con is a trailblazer who has influenced battle rap more than nearly everyone and currently appears on MTVs Wild N Out. Bigg K is street battlings great white hope. Con came light, K did not. This was Ortiz vs Shamrock as battle rap. A one sided beatdown of a veteran.  Bigg K is a problem and proved it again. The semi main event was the battle of the night. Serius Jones is an icon, uncrowning Jin in the "good ol days," signing with Luda and DTP, and two giant return battles. Last we saw his face, however it was helping Math Hoffas fist shut down SM3. Daylyt is the king of antics and one of the most advanced writers in the game. His major battles since the summer included dressing in a Spawn costume, stripping down and pulling out Mr. Hankey vs Rex, dressing as the headless horseman vs Real Deal and trying to shit onstage 3rd round, battling Krack City teammate Cali Smoov. He twerked on Smoov and simulated head. Two weeks prior vs Pat Stay for the KOTD title, he dressed as a slave, and basically proceeded to do 3 parts of a one man show which happened to take place during a battle. He came into LA and rapped his fuckin ass off. Days bars usually are better on camera due to being so complex. I got Day 2-1 close, as while Serius was more direct Day was on some other shit. Serius did take the one round freestyle battle after the show got shutdown.

That brings us to the nearly crippling debacle that was the main event. It was the highest profile battle in history. Cassidy the self proclaimed founder of modern day battling, mainstream for over a decade, the first platinum rapper to battle vs Dizaster, Eminems favorite battler, arguably the face of modern battling and a killer on stage. $175,000  for that battle alone. This was the most hyped, most promoted, most anticipated battle ever. A bodybag was expected, a debated classic insued and nothing went as planned. It took nearly 20 minutes to clear the stage, as it was being ordered by fire marshalls. On camera it looked like entourage bullshit. In reality it was, according to Dizaster, a stage full of rival gang members, with Diz having a crew consisting mainly members of the notorious Grape St. Crips and Cass hiring members of Comptons Blood set. Chubby Jag has disputed the paying thing, not the gang thing however.  Half the stage exited, and Cassidy began to spit, four bars. They were, however, four bars that showed he studied Diz. Then more stage fuckery for twenty minutes. Then Cass spit again. He started hot, Charlie Clips impressions and schemes. Yeah, there was the whole use of "gun got a long nose like an elephant" in 2014. After two minutes of writtens, shit got weird. Cassidy began a series of Ar Ab prebuttles and other freestyles for nine minutes. Lush couldn't stop him, Diz even began a round and was stopped, by Cass rapping over him. Diz was shocked but said let him go. Cass went for 9 minutes to us, or five minutes to Cass. Diz then began to spit, and got about 8 bars out before the boos hit. He blamed Cass people in the pit, they claim it was Diz doing the whole fixate on one topic thing that he lost to Arcane by doing. None of that mattered as it took 40 minutes for one round. The biggest battle ever got shut down, the building and the feed dark. The scene took an L on its biggest night, once again. 

Friday, November 28, 2014

2014: A Year Of Hip Hop Emotions

Image Credit: XXLMag.com

by: Ashe Samuels

This week we are here to look upon the landscape of hip hop in 2014.  I will preface the following with a brief explanation of my tastes in hip hop. As someone who grew up in NJ (I started listening in 1996 when I was 12) I have a strong affinity for boom bap. I am real big on shit having lyrics, not just a beat and some dude who's stuck on the same thought. I am a huge battle rap fan. I tend to be a snob when it comes to hip hop but fuck it I...love....this....shit. This causes an emotional roller coaster especially because the last two years, it seems as if it is thriving while being killed.  Ill let you think about that. With all that said, I'm going to let you see what my emotions on the music. and everything around it.

Run the Jewels makes me happy as hell. In the past two years, Killer Mike and El-P have served up a one two combo of fuckin haymakers with RTJ 1&2. Dope beats, ridiculous bars, and some of the most tripped out production you've ever heard out of New York, playing these back to back gets me high as fuck without touchin a thing.

Lyricism as a whole resurgance is also a truely beautiful occurance. Eminem and Shady Records decided to make November their bitch. The cypher had everyone talking who was had the best verse, besides Em.  2013 started the whole occurance where Em seemingly decided bar out on the world. The MMLP2 was hit or miss but when he did decide to just go in, (asshole and Rap God most notably) it was like watching an old grandmaster go all ninja on a class full of students half his age, and win. The cypher was a 6 minute quasi-freestyle that was everything in Em we could've asked for. Royce, Ortiz, Crooked, Budden and Yelawolf all had great verses, with Royce and Ortiz battling for a close second. The new material on the album was full of play that back worthy cuts. It's an album full of great bars, quality production and the strongest roster in the game. Even Big Sean was good in his guest spot on Detroit vs. Everybody, and I really, really don't like Big Sean. 

Image Credit: AllHipHop.com

The year started out strong with a quality release for Pusha T, and two a heavyweight release from Freddie Gibbs and Madlib. Gangsta Gibbs is a monster and Madlib is an underground legend on the boards. Pinata is backpack gangsta rap at its finest. Evidence and Alchemist decided to remind hip hop heads why they fucked with them in the first place on Lord Steppington, with the two sharing both the mic and the boards. Atmosphere did the same on Southsiders. Pharoah Monch dropped PTSD which was the deepest album of the year. TDE continued to release dope artists with Ab Souls first major release, which we'll touch on later. Then there was Onyx and #Wakedafucup, but more on that later too. Big Krit dropped Cadillatca, which can only be described as trill soul. Skyzoo and Torae gave us Barrel Bros. A modern age Duck Down style NY classic. The Roots proved why they transcend all genres while still keeping it hip hop "And Then They Shoot Your Cousin." Mixtapes gave us the beast that is King Los dropping his first post Bad Boy effort which showed why he didn't work with Diddy. He is not a single factory, King Los is a fucking MC in every sense. Zero Gravity II has some of the sickest bars on anything released this year. Jon Connor showed why he earned his Aftermath contract on his Kanye West inspired tape. Connor used classic Kanye tracks to create current interpretations. De La came back. We got a taste of Glass House with Slaughterhouse laying out the House rules. Grafh paid tribute to classic hip hop and showed a return to form on 88 Crack Era. It was actually a good year for releases that had content which brought a smile to my jaded, cynical face.

In southern New Jersey and Philadelphia there is a classic hip hop station, it is perhaps the greatest modern format on terrestrial radio. Nothing past around 05 and you can usually get about 7 or 8 quality cuts in a row. Pro Era are a group of rappers who weren't even fetuses when Illmatic dropped, yet make classic NY hip hop. Onyx teamed with a group of European producers who go by Snowgoons to make a boom bap banger of an album. Fredro Starr and Keith Murray made headlines with their battle that was cancelled due to the fuckery of the promoter. De La Soul dropped a mixtape, and Q Tip and Busta gave Midnight Marauders a tribute. DJ Premier decided to mark his territory this year. Ill Bill paid homage on a World Premier complete with a Primo boom bap monster. Prhyme is hip hops version of when Rage Against the Machine grabbed Cornell and formed Audioslave. He also is saying an album with Loaded Lux is in the works. The Lox brought the Trinity to the masses.  


Battle rap getting into mainstream hip hop makes me filled with glee no musical. Was Total Slaughter lacking in execution?  Yes, but who gives a shit. Raps biggest label gave you a battle rap reality show and national ppv. That is a win. As is Loaded Lux doin records with Styles and Cam, Tsu Surf with Joe Budden, !Mayday¡ (Featuring GT Vet and Freestyle champ Wrekonize) with Murs, so on and so forth. The guy who created Holo Tupac bought in and now we have Dizaster vs Cassidy. Joe Budden got roasted by Hollow. Ab Soul ended his LP with a battle vs Daylyt.
2014 brought us Run the Jewels, some great albums, the return of lyricism and legends, and the mixing of mainstream rappers into battle rap. However, it seems it also tried to die a tragic public death on a massive scale. Part two to come, 2014 The Tragic Suicide Note of Hip Hop.

Monday, November 10, 2014

EXCLUSIVE VIDEO: ITS HERE! Eminem, Slaughterhouse, & YelaWolf Present #‎SHADYXV #‎CXVPHER

Image Credit: ShadyRecords.com

by: Dana P. (E.I.C.)

Oh its FINALLY here! Shady Records has dropped the CXVPHER leading up to Shady XV, which will feature Slaughterhouse, 50 Cent, Yelawolf, and many more! You NEED to check this out, as Crooked I, Joe Budden, Joell Ortiz, Yelawolf, Royce da 5'9 and Marshall Mathers himself, none other then Eminem, battle it out in each of their hometowns.

Sunday, November 9, 2014

EXCLUSIVE VIDEO: Joe Budden Takes Over SOBs New York City For The Album Release of EP 'Some Love Lost.'

Image Credit: XXLMag.com

by: Dana P. (E.I.C.)

Joe Budden put on one of the most authentic performances at SOBs this past Tuesday night, as everyone in the house came out to celebrate the release of his new EP titled, 'Some Love Lost.' The infamous SOB's in New York City, is also known as the venue where "legends are made." Emilio Rojas opened up the show, followed by R&B sensation EManny. Felicia Temple joined Emanny on the stage, and both brought up two lucky fans from the crowd for an intense little "lapdance session!" 

Joey hit the stage performing for nearly an hour, as he started off with a few tracks off Some Love Lost, leading into classics as far back to Halfway House, Mood Muzik, and No Love Lost. While Joe refers to himself as "washed," we think he has hit legendary status by far and he is JUST getting started!



Joe took over The Angie Martinez Show on Power 105 this past Wednesday, and revealed this EP was just a warmup before he releases his new ALBUM! No date has been set. We will also soon see him alongside his fellow Slaughterhouse brothers, Yelawolf, and the founder of Shady Records himself, Eminem on the 15th anniversary album Shady XV which will be introduced with a cypher, titled "CXVPHER."

As we patiently wait for more to come from Joey, check out this video below! We got up close and personal for this full on therapy session from The Mood God!




Sunday, November 2, 2014

An Education on Battle Rap for the Uneducated


Photo: Slaughterhouse (Joe Budden, Royce da 5'9, and Joell Ortiz) at SOBs in New York City.


by: Ashe Samuels

Dearly Beloved,
We are gathered here today to talk about the pro wrestling of hip hop, that is battle rap. Now half of you reading this may have no knowledge of this beyond 8 Mile, so lets break it down for a second. Battle rap in the form in which it exists now is written, not freestyle, and takes place acapella or without a beat. It has evolved from cracks on peoples attire and mom jokes, to the place to hear bars in hip hop. In fact, your favorite rappers are huge battle rap aficinado. Drake has hosted and currently sponsers King Of the Dot based out of Toronto. Method Man has hosted multiple battles. Diddy and Busta Rhymes have showed up at URL. Eminem & Slaughterhouse had Total Slaughter this summer, and the Fuse series Road to Total Slaughter.  Joe Budden battled Hollow Da Don, Ab-Soul ended his major label debut by battling Daylyt, and Canibus battle Dizaster and Cassidy is about to. YouTube is filled with thousands of battles and they have amassed 10s of millions of combined views. However, it has remained relativley underground, but even that is now changing.

I mentioned mainstream rappers battling. What i did not mention is that they get fuckin roasted. Ab Soul had by far the best preformance. His bars were great actually, but then Day spit and it was clear whos realm they were in. Joe Budden got booed, dropped the mic and walked off stage in the third round. He tried but Hollows stage presence and battle savy style took that battle for him. Canibus....well Canibus acted like a total fuckin nutjob and pulled out a binder in his third round. This is not because they arent talented MCs, but because this is not their realm. Budden is one of my favorite rappers to be honest. Its not just about your words but your projection, your movement, your performance as a whole. There is no beat to rock over and a crowd that is not there to hear a song but to watch a battle and will boo the fuck out of you for not coming correct.
We live in an age where lyrics are no longer what makes or breaks an MC in hip hop. For every Budden, Royce, Ortiz, and Crooked, there are 6 Young Thugs. So where do you go to hear bars, to hear that aggression and wordplay that hip hop was raised on? Battle rap. There is a reason why your favorite rapper and there people watch battles in the studio, because that is the new place to hear bars. Fans rewatch battles and hear something that went over their heads the first time. Bringing it back or repeating a bar became the live version of rewinding because it was so damn nice. Concieted slows it down so the crowd and his opponent can hear the double meaning. Loaded Lux repeats things not because he thinks it wasnt heard but because he wants you to listen. That is the beauty of battle rap, its not something you hear, but you listen to.

It is something you listen to, but you watch as well. A Daylyt battle needs to be seen. Where else can you see a Crip dressing like a Klan member for 2 rounds only to reveal he was Black Jesus in the third round. Days battle with B Magic had a Matrix theme to his rounds but a 3rd round told as much through visuals as it was with words, complete with bullet time twerking. That is just the tip of the Daylyt iceberg but thats for another article. From hand gestures to pantomime, props to facial reactions, Battle rap isnt just something you listen to, but also something you watch. How else would you know what Caustic meant when he battled Aye Verb and told Verb he, "showed up looking like Goldust."
Just like pro wrestling there is lead up, the only form of spoken word anything where people cut promos on each other before the event. There are rivalries, Lux vs Hollow made UW into a much larger entity and was almost a decade in the making. Math Hoffa put himself on the map by punching out Dose onstage, and a few years and much shit talk later, a rematch occured. Dizaster and Math had a rivalry based on Maths penchant for throwing hands in a battle that ironically ended with Diz punching out Math in the third round of a fantastic battle. There are stables that rise and fall; Dot Mob, Innuendo, S.O.N.S., Krack City and many more. Worked shoots, those are called personals. You want a prime example watch Pat Stay vs Hollohan from KOTD as two former best friends air each others dirty laundry for the world to see. Shit there are even tag teams which can be amazing if done right. Dirtbag Dan and Caustic battled Shuffle T and Marlo from England in an amazing 2 vs 2. Illmac and The Saurus both champion battlers by themselves are also legends as a team.

So there we go, my dearly beloved readers, an introduction to battle rap. Wanna know why Jay-Z was sayin "you gonna get this work?" Watch Lux vs Calicoe. Wanna hear aggression, and raw raps? Watch battles. Backpacker? Watch The Saurus, Illmac, Charron, A Class and a number of underground inspired battlers. Want guns and street shit? Watch Hitman Holla, Hollow Da Don, Arsonal, Big T, B Magic, shit just watch URLs big battles. Like weird shit, watch Daylyt, shit like backpack or street shit watch Daylyt too. Watch Dizaster to see Eminems favorite battler, Pat Stay to see why hip hop lives in the North. The list of names goes on and on and as time goes on Ill expose you, the fair readers to more. But for now, as they say, TIME!!!!



   

Tuesday, October 28, 2014

Ma$e Celebrates 17 Years Of Classic Album "Harlem World"

Image Credit: stizzlifestyle.tv

By: Kai Jones

October 28th,17 years ago TODAY, Bad Boy Records dropped one of hip hops greatest albums, Harlem WorldHarlem World was the debut of Harlem rap legend, Ma$e. This album was looked at as Puff Daddy’s showcase, of his new protégé to replace the legendary Notorious B.I.G. 

Ma$e had “big” shoes to fill, and he filled them masterfully...

While Ma$e was seen as the replacement for B.I.G., he gained national notoriety off of B.I.G.’s posthumous number one hit: “Mo Money, Mo Problems”. Harlem World’s lead single was “Feel So Good," a track produced by Puff Daddy himself; topped out at #5 on the Billboard Hot 100. This song was ranked 67th on VH1’s 100 Greatest Songs of Hip-Hop. The other 2 singles from that album, “What You Want” and “Lookin’ At Me," both hit Top 10 on the Billboard Hot 100. Harlem World debuted at #1 on Billboard Pop and R&B charts selling over 270,000 copies. While Harlem World was commercially successful, it was also an album of substance; which as bad as that sounds, commercial success doesn’t always mean the music is good.

While Harlem World is 17 years old, I can’t help but listen to this album and still hear his influences upon current artists, such as Kanye West and Pusha T. Puff Daddy’s influence upon the project is clear as it has a lot of themes and concepts that are similar to B.I.G.’s classic debut album Ready To Die

Harlem World also seemed to be a showcase for young talented artists. The Lox, DMX, Jay-Z, Lil Kim, Monifah, Black Rob, 112, Billy Lawrence, and Lil’ Cease. It also featured known artists such as Busta Rhymes, 8 Ball and MJG. The production also featured a great panel of producers with Puff Daddy, Stevie J, Jermaine Dupri, and D-Dot just to name a few, and was also the first surface of the legendary production team The Neptunes. All these reasons are why Harlem World has stood the test of time and quickly became a classic hip hop album.

17 years may not seem that long, but consider 17 years ago gas was not even a $1.50. 17 years in mainstream music is a lifetime considering how quick it changes. While I can’t say that this album is a Top 10 candidate in hip-hop, I must say it’s a album that deserves its place in anyone’s hip-hop catalogue.

Edited by: Dana Pellotta (E.I.C.)

Tuesday, October 14, 2014

G-Unit Reunites For XXL Magazine Cover & Roundtable Discussion


It's a G-Unit reunion and XXL snagged the exclusive. New York's pride and joy got the opportunity to post up on the cover of the final print issue of XXL Magazine. 50 cent and his boys Lloyd BanksTony YayoYoung Buck and Kidd Kidd not only got a chance to tell their break up to make up story in the magazine but also through a two-part documentary series.

The video documentary goes behind-the-scenes to uncover the truth behind the group's disagreements, which ultimately lead to the breakup. But don't worry, G-Unit doesn't dwell on the past too long as the group also touches on their reunion and takes a deeper look into each individual member of the group. The documentary was shot in 50 cent's Connecticut mansion and features a round table discussion of the Hip Hop artists. G-Unit is featured on XXL's October/November issue which is set to be released on October 17.

Watch the XXL G-Unit documentary pieces here.

— Brittany C. Jackson

Twitter: ___PXC

Ghostface Killah Speaks On Putting His Differences Aside with RZA for 'A Better Tomorrow'

Image Credit: Ghostface Killah's Twitter (@GhostfaceKillah)

Hip Hop may have entered a new era, but the origin of the genre like its pioneers the Wu Tang Clan is forever. In honor of  Wu Tang's Warner Bros. Records deal for their sixth studio album A Better Tomorrow, the group members are back in the spotlight with a positive state of mind. This is especially true for Ghostface Killah as he recently sat down with HipHopWired.com and spoke on his excitement on the group reuniting, expectations for the upcoming album, and even addressed how he and RZA have put aside their differences.

"Me and RZA we had our thing that was even more deeper than just rifting. We ending up in the courts and all this sh-t like that," said Ghost. " So I'm not gonna keep quiet quiet quiet, but I don't gotta let the public know cause at the end of the day we still brothers"

Ghostdini went on to further explain that the two group members have a common goal which is bigger than any of the mishaps that occurred between the two in the past.

“I’m not saying that it went away 100 percent…but we try not to focus on it,” said the rapper. “At the end of the day, this Wu-Tang thing is bigger than me and him. We done created something and that's it. I just want to do my part and let him do his part. Hopefully we can put that together and drive it where it needs to be driven to."

And a better tomorrow it is instead!

Check out the rest of Ghostface Killah's interview with HipHopWired 

— Brittany C. Jackson

Twitter:

​@​
___PXC

Monday, October 13, 2014

ALBUM REVIEW: The Roots: ...and then you shoot your cousin.

Photo Credit: Def Jam

By: Cyndi Riegger
Twitter: @Label_Whore_Art

In a land where twerking, rapping about chicks and what you can afford
reign supreme, the world of true hip hop music was severely
lacking...until now. The most recent release of The Roots' "...and
then you shoot your cousin." is a breath of lyrical fresh air in a
polluted market of what barely passes for hip hop.

Never sparing a drop musically or verbally, The Roots delivered a
thirst quenching 8 track release, their 11th studio offering in May of
this year. My favorites: "When The People Cheer" and "Understand".
"Understand" a blessing upon my eardrums, is more poignant in its hook
alone than anything I've heard in a very long time.

"People ask for god, 'till the day he comes
See God's face - turn around and run
God sees the face of a man
Shaking his head then says, "man'll never understand..."

The tone of the album is definitely not lighthearted or for
individuals looking to dance in the club but it is painfully sincere
and leaves one eerily satisfied within its darkness. Each song touches
upon social awareness, personal struggles and the reality of issues
affecting the world at large, rather than filling each offering with
uninteresting fluff that has no relevance and quite frankly, aren't we
all tired of hearing about Rolex watches?

This album is everything current hip hop is not and man, am I glad. It
doesn't boast about accolades, of which The Roots have many. But,
instead offers an almost satirical look at the culture their genre has
become in "When The People Cheer":

"First I feed her vodka shots then she eat my Johnnie Cochran
Livin’ fast, drinkin’ capt'
One of them hoes even had
The audacity ask me how long this thing would last
I said, "You wanna pay for class? Get on that stage and shake your ass."
She keep a dick in a box and in an emergency break the glass
I make her laugh
She makes it clap
And then she gives me lap dances and I’m thankful that
She keeps providing the place for me to be unfaithful at…"

Image Credit: Philly.com

If you're tired of the typical and want a whole lot of lyrical
substance, this concept album by The Roots is a perfect fit for you
and worth a download on good 'ol iTunes or a purchase at your local
music store (I know, what are those, right? But, they do still exist,
I promise!).

"...and then you shoot your cousin." left me feeling reflective and
glad to have listened. It's so rare that a hip hop release these days
brings any sort of real reaction out of me besides a head nod or a tap
of my foot, but this most certainly did and is worth a listen if you
want to listen to something REAL.

The members, as always, make it clear how talented (an understatement)
they are at their craft and have blessed us once more with something
to truly be proud of. This album is like water in the desert, very
much welcomed and utterly satisfying.

Sunday, October 12, 2014

LL Cool J Takes It To The Streets In The "I'm Nice" Video Ft. MurdaMook, Raekwon & Ron Brownz

Image Credit: AllMusic.com

LL has got rhymes for days! Back in August we reported, that LL Cool J teamed up with Murda Mook, Raekwon and Ron Brownz for his latest single "I'm Nice" in anticipation of his upcoming album the G.O.A.T.2. Now, the official video for the track has finally been released.

Uncle L took to Twitter on October 10 to release a behind the scene snippet of the video shoot and just one day later fans were presented with the video hosted by WorldStarHipHop.com.

Directed by the legendary Benny Boom, the "I'm Nice" video is filmed in static black and white and has a super old school rap feel as the gang plays a game of hoops. While we wait on the G.O.A.T.2 release date to be announce, this video will just have to do.

Check out the "I'm Nice" video here.


— Brittany Chanel Jackson

Twitter: @xPlatinumChanel

Wednesday, October 8, 2014

EXCLUSIVE VIDEO: The Lox SHUT DOWN BB Kings with Special Guest Dej Loaf!

by: Dana P. (E.I.C.)

Hip Hop ShortStop has got some EXCLUSIVE footage of The Lox performing at BB Kings last month in New York City! Jadakiss, Styles P & Sheek Louch put on a show that was the absolute BEST we've seen them perform yet! The energy was surreal & the crowd was definitely full of true hip hop heads singing along to every song, as The Lox went onto perform an entire HOUR of non stop new joints & hella classics! 

Sunday, October 5, 2014

Nas Signs Harlem Rapper Dave East To Mass Appeal Records

dave east

Image Credit: Dave East's Instagram (whoisdaveeast)

It looks like Nas has got something really clever up his sleeve. The hip hop mogul continues to beef up his label roster by adding an additional player to his team of sick MCs within the past week. On October 2, MTV reported that Nas has signed Harlem native Dave East as the newest member of his record label Mass Appeal.

dave esat

On October 1, Nas dropped a hint of his admiration of Dave East during an interview with Power 105.1's Angie Martinez Show. When asked about the 25 year-old, the rapper referred to him as "a real one" but unfortunately he was not at liberty to talk about him at that time.

Since the newcomer's Twitter feed is currently flooded with congratulations tweets, we can assume that the signing is official. Dave East joins artists FashawnBoldy James and Bishop Nehru as Nas' label signees. As fans can tell from the bars he spits on his Black Rose mixtape, Dave East is a promising artist. Now with Nas' stamp of approval , the rapper is set to do bigger and better things.

Check out Dave East's hype flow in his "Broke" video below:

http://www.youtube.com/watch?v=2lc8n9oZX68

— Brittany C. Jackson

@xPlatinumChanel

Wu Tang Clan Announces Release Date For Their 20th Anniversary Album 'A Better Tomorrow'

Wu Tang Source

Image Credit: Brittany C. Jackson | Source 360 Concert

Wu Tang Clan ain't nothing to f--k with! Following their reunion performance at the Source Magazine's first annual #Source360 concert, the legendary group gave fans a little something more to be excited about. On October 2, Wu officially signed their latest industry deal with Warner Bros. Records.

wu 2

Warner Bros. Records Instgram (wbr)

All nine of the group's living members—RZA,GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa, and Cappadonna— broke the news during a press conference at the label's California office. Wu Tang is kicking off their stay at Warner Bros. with a great start; with their first release being the group's 20th anniversary album A Better Tomorrow.

wu group

Steregum.com's Twitter (@stereogum)

A Better Tomorrow will be the group's sixth studio album which they just confirmed a release date for via Twitter on October 4.

Wu Tang Twitter

With this sweet deal and the upcoming release of their 20th anniversary album, hopefully Wu can knock some sense into these knuckle heads in the music industry today by providing us with some real hip hop to hear!

— Brittany C. Jackson

Twitter: @xPlatinumChanel   

Sunday, September 28, 2014

EXCLUSIVE VIDEO: Hip Hop Pioneers Steer The Genre Back In The Right Direction With Their Performances At The Source360


If you're an avid Hip Hop fan, all your dreams would have come true on the evening of September 20 as The Source Magazine hosted their first annual Source360 concert at the Barclays Center in Brooklyn, NY. The magazine racked up one hell of a roster as they recruited notable hip hop pioneers  like the Wu Tang Clan and Lil' Kim to grace the stage for a night of good ole fun—  and HipHopShortStop.com was front row and center taking it all in.
The streets of Brooklyn were greeted with sounds straight out of a stereo as notable group Bone Thugs-n-Harmony kicked things off to a great start being that they were the first act to reunite and hit the stage. The group put the crowd in just the right mood as they performed hits like "Crossroads" and "Notorious Thugs" featuring the late and great Biggie Smalls.


Following the Bone Thugs-n-Harmony set, the next group up held nothing back cause it's Dispet for life ya heard! The Diplomats members Jim JonesJuelz Santana, and Cam'ron did the crowd right after they tossed hit after hit after hit; you couldn't help but to sing along. Not only did the boys have the crowd going crazy , their chemistry and interactions were so strong that on-lookers couldn't help but to acknowledge them as brothers.



The Queen Bee was the life of the party as she showed the crowd that age nor a newborn baby girl was going to slow her down from letting you know that she has still got it going on. Lil' Kim knows how to put on a show as she performed her hit singles from her Junior Mafia Days all the way to her latest tracks off her Hardcore Mixtape. Kimmy Blanco is an entity on her own but she made her set even more memorable by bringing out a couple of celebrity guests on her set like rappers Maino, Havoc of Mobb Deep and Bobby Shmurda.


And finally the moment you've all been waiting for; the headliner of the show—  Wu Tang Clan. With this reunion performance, Wu proves that they're still boss. All living members of the clan were present and accounted for as they passed the mic off to their brothers spitting hard-hitting lyrics that ultimately made history in not only the hip hop genre but also in the music industry. The chemistry the guys possessed on stage put the crowd at a lost for words and instead focused on the group in a positive light as fans held their Wu Tang forever signs high up in the air for the rest of the night.




Watch all the Source360 action come alive here.
— Brittany C. Jackson (@___PXC)

Saturday, September 27, 2014

Nasty Nas the Esco: ILLMATIC the Work – IILMATIC the Tour

Image Credit: consequenceofsound.net


It’s Illmatic Year! To celebrate the 20 year anniversary Nas first released the deluxe reissue of one of, if not the greatest contributions of art to our culture – the album Illmatic. Besides some small tweaks, it’s a typical re-release excluding the addition of the track “I’m a Villain." He also took off on a world tour to follow.

Although he’s been touring most of the year, this next stream of shows will mainly support the release of the albums’ behind the scenes documentary also titled Nas: Time is Illmatic. Which will first air October 1st at New York’s Tribeca Film Festival. 

The project which is vividly painted by words – full of some painful and some hopeful stories, still has a life of its own 20 years later. A quote from the trailer – “I gave you what the streets felt like, sounded like, tasted like” – Nas.

Image Credit: consequenceofsound.net

The tour kicks off this Thursday October 2nd at the Main Street Armory in Rochester, NY. The show will include the viewing of the documentary of course which features interviews with Nas' 'Illmatic' producers (Large Professor, Pete Rock, Q-Tip, L.E.S., and DJ Premier) and musical peers (including Pharerell Williams and Alicia Keys. 

Salute to the God, Nasty Nas! We’ll be keeping up with him and the rest of Time is Illmatic journey.


Tina Louise 
Twitter: @TinaLouiseMe

Edited by: Dana Pellotta; Owner/E.I.C.

Friday, September 26, 2014

The Return of King Kendrick! Kendrick Spits a Crazy Freestyle on Hot97, Drops a New Single, and more.

Image Credit: allhiphop.com

The rap beast is back at it again and he’s coming strong and fast. Kendrick Lamar shook the game up with his verse on Big Sean’s "Control" back in August of last year. It heated things up as he proclaimed himself “the best” and almost begged for competition, calling out several of the game’s current top dogs, ie: J Cole, Wale, Meek Mill and Drake. Many rappers responded, but none of the ones he named.

In a nasty Hot 97.1 FM freestyle with Funk Master Flex on September 18, the "B---h Don’t Kill My Vibe" rapper went in. In one half of his freestyle, listeners re-visited the fire of the same undefeatable, hungry energy Kendrick gave us on "Control."
Kendrick rapped:
I’m sparring with a dragon, he tried to throw a flame but I ducked and then I stabbed him. Came out the battle laughing. That’s a metaphor for any rapper who want it, I smack ‘em til they nose running..
The Compton rapper has been fairly under the radar since the release of his controversial verse on Control, but I think we all knew he was cooking up his next pot of gold! Not much of Kendrick’s perspective has changed (as you can see from the lyrics above) concerning what spot he solidifies when it comes to rap—and that’s the top spot. He’s still welcoming or daring rather, any rap guy to try him. However in a recent interview with Big Boy, Kendrick says that hip-hop is a sport, it’s all love between him and the guys. He even mentioned and that he respects them all as people and creators.
Kendrick also dedicated some bars of his Hot 97 freestyle to story-telling in which he recalls some Compton tales, mentioning his dad’s disquiet of him staying out the streets and of course his Uncle Tony is referenced —“Comprehending well and could smell the soberness evaporating by itself he said Tony my biggest fear is to hear Kendrick disappeared in a fire out here and I didn’t help.”
Five days after the freestyle aired he dropped his first single since his debut album Good Kid m.A.A.d City. The track is titled “i” with a reoccurring line “I love Myself”. Leave it Kendrick to force us to address the real ish. He delves into the idea that it’s impossible to love outside if we don’t love ourselves. He does this with uncountable bars graced by a beat you wouldn’t automatically tie to a hip-hop tune. There is speed then there’s rest, drums and horns. It makes you want to dance and think at the same time. Tough tune. But what did we really expect. He’s Kendrick.
True to his Compton roots he finds a way to incorporate an uplifting message for his home town into his cover art for the single. He put a crip and a blood forming a heart sign together instead of a gang sign—another way to spark conversation and change.
Instagram: @KendrickLamar

You can expect his new project to be 100% K.Dot. In an interview with AMP Radio he revealed that he has been making it a point to minimize his musical influence while he’s creating. He wants to go in and organically lay down tracks that have not been impressed by the expectations of outsiders.
I guess we'll have to stay tune for more from King Kendrick!
By: Tina Louise (Twitter: @TinaLouiseMe)
Edited by: Brittany C. Jackson (@xPlatinumChanel)